Rudrani IV
Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 
In the work the artist has left one hand free of any weapons thus
emphasising that Rudrani can also clearly battle on her own strength without several weapons and help being provided by the Gods. The work hence speaks of woman empowerment.

Acrylic on canvas 48" x 36"
Status: Acquired

Trisul V

Inspired by a visit to the Himalayas and the outstanding view of Trisul, a group of three Himalayan mountain peaks of western Kumaun, with the highest (Trisul I) reaching 7120 m. The three peaks resemble a trident or in Sanskrit, Trishula- being the weapon used by Lord Shiva to protect himself and his devotees from evil. Hence Trisul.

Acrylic on canvas (48" x 36") 
Status: Available 

 

Radheya 

Warrior of the Mahabharata epic, Karna is a fascinating character. He is depicted as a tragic hero; gifted, righteous and brave, whose warrior skills won the admiration of Bhishma and Krishna. 

To the artist, Radheya (the son of Radha the adopted mother) or Karna is the ultimate hero. Born to glory, the son of Surya and eldest brother of the Pandavas, noble warrior, outstanding speaker, unbeatable archer, loyal friend and the ultimate giver, acclaimed by the divine Krishna as "a true, honest, good man" and "the best among those who understand and uphold the dharma" he fought against all odds after being abandoned by his biological mother Kunti. There is no greater sacrifice than his.

Born with aspects of his divine father Surya – the earrings and armor breastplate – that made him an immortal at birth , and inspite of being warned, Karna chooses to lose these divine gifts and effectively his life in order to uphold his reputation as the one who always gives dāna 

The work captures that moment when the God Indra, father of Arjuna (portrayed as the lightening bolt or Vajra, the Ankush and his 'vaahan' the multi trunked white elephant ) disguises himself as a poor brahmin (symbolised by the alms bowl),  asks for Karna's  earrings and breast plate in order to protect his own son in battle.

Karna's posture in the work depicts his questioning destiny even as he hands over his divine gifts and life thus choosing to uphold his life choices and values. The bull denotes Karna's prowess as a warrior, while the bow is laid down in submission to his fate and values. Interestingly this bow, named Vijaya was created by Vishwakarma for Lord Shiva, handed for safekeeping to Indra, then given to Parshuram to conquer wrong doers and further gifted by him to his worthy student Karna.

Acrylic on canvas (48" X 36" )
Status: Available

Dashavatara III
As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.
Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"
Status: Acquired 

The Courtyard of Serenity III
A courtyard is a fascinating architectural space. The artist connects this space to a spiritual experience. Located usually in the very centre of strong built-up living areas and opening up to the skies and the elements, a courtyard seems to be synonymous to the spirituality that lies within us... that spirituality which opens our minds and bodies to the greater scheme of life itself. 

Across cultures the courtyard is a space where people meet and bond. It is sacred to the concept of families, their beliefs and their love. In Hindu households the courtyard is the space where the sacred 'Tulsi' plant is tended to and nurtured. Hence the parallel drawn to our internal sacred courtyard of love which we may adorn, nurture and help flourish. Our own courtyard of serenity. In this work a horse is seen entering this sacred space. In Buddhism the horse is symbolic of energy and effort in the practice of dharma. It also symbolises the air or 'prana' which runs through the channels of the body and is the vehicle of the mind.

Mixed media on canvas (36" X 48" )
Status: Acquired 

The Evangelist
The work is inspired by the Artist's fascination for St Luke, the evangelist and the patron saint of artists, among others. Christian tradition, states that Luke was the first icon painter and is said to have painted pictures of the Virgin Mary and Child. He is believed to have been a martyr and  is symbolized by a winged ox or bull – a figure of sacrifice, service and strength.

Acrylic on canvas (42" X 50")
Status: Available

Dashavatara II

As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"
Status: Unavailable

The Wedding Feast
The work is inspired by the story of the wedding at Cana.... Where Jesus performed his first miracle. The split table signifies the transition of Jesus after this first miracle. There are six jars of water which he converted to wine after being requested to save the host from the embarrassment of running short of it during the feast. Artistic license has been taken to keep the table relatively minimalist as the focus is on the turning of water to wine.
The artist  selected this theme as to him this miracle , though it may not seem as dramatic as making the blind see , the lame walk etc is a universal lesson that one doesn't necessarily need to do anything major to make a difference as even a comparatively simple gesture like saving the host from embarrassment is as important.

Acrylic on canvas 36 X 48

Status: Acquired

Series: Miscellaneous works

Dhyana VI, Asthachal - the evening meditation 
As the sun sets and the mountain air turns cold, it is time to find peace within one's self simply by focusing on the silence that envelopes and the smells of pine and incense. The artist has attempted to capture this memory on his canvas in the hope of sharing the tranquillity with all who may enjoy the work. 

The retention of calmness in a tumultuous environment is achieved through Dhyana, the practice of mind control by which we stop all thinking and seek to realise Truth in its essence. Of the many different paths to Nirvana, the most important one  is the path of Dhyana, the practice of “stopping and realising.”

36" X 36" / Acrylic on canvas
Acquired via Artistique Gallery 

One with the blue horse 

Inspired by a recent visit to the Golden Temple and the sincerity of worship, humility and service demonstrated by the believers of Sikhism, the artist created  the work "One with the Blue horse"  based on the The Tenth Guru,an accomplished horseman. Guru Gobind Singh Sahib was famous for his blue coloured horse, affectionately called "Neela" (meaning "blue"), and is referred to as "Neelay ghoray whalla" or "the rider of the blue horse" in the folk songs of  Punjab. The five horses in the work represent Punjab.

As per  folklore, on being asked by the Guru for a place of rest during his journey, the man working at a brick kiln mockingly  challenged his power asking him to rest in the blazing furnace. Guru Sahib ushered Neela forward, who  put one of his hooves on the side of the kiln and the brick kiln which would normally take a week or so to cool down, instantly turned cool, enabling the Guru to spend the night in the furnace.The gurdwara that now stands there has been built around the now solidified mud which still has the impressions of Neela’s hooves. Even today the lineage of Neela continues at the Gurudwara of  Hazoor Sahib, Nanded.

Acrylic on canvas / 36 X 36
Available via Artistique Gallery
Series: Miscellaneous works

Memories of a childhood VII
“In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew.” 
― JW Johnson, The Autobiography of an Ex-Colored Man

Acrylic on canvas 36" X 36"
Acquired via Gallerie Nvya

Divine Resonance - The Sacred Wheel II
Buddhists from the Himalayas state that they experience a deep sense of harmony in their homes and environment when the prayer wheel is placed in their abode. A number of Tibetan commentaries state that having a prayer wheel in a building makes that place become like the Potala - the pure land of the Buddha. Without doubt the prayer wheel’s beauty and energy exudes a very clear and positive effect. In this work the artist has attempted to capture this sense of harmony and surrounded the prayer wheel. Visually,the work is syncretic in its essence and a fusion of the contemporary with the traditionally spiritual.
Size: 36" X 24" / Acrylic on canvas
Status: Available via Gallerie Nvya

Rudrani III

Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 

The artist wishes to emphasise that Rudrani can also clearly battle on her own strength without several weapons and help being provided.by the Gods. The work hence speaks of woman empowerment.

Acrylic on canvas 48" x 36"
Status: available

Rudrani II
Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 
Rudrani's posture in the work is aggressive even as the hand is uncharacteristically weapon less. The artist wishes to emphasise that Rudrani can also clearly battle on her own strength without several weapons and help being provided.by the Gods .

The work hence speaks of woman empowerment.
Acrylic on canvas 48" x 36"

Rudrani I
Rudrani is the shakti and consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. - inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. Symbolises woman empowerment. The two hand mudras introduced are unique and different to the usual Durga portrayal. The right hand is in 'gyan mudra' hence the power of knowledge and the left hand is in 'rudra mudra' hence the reference to Rudra or Shiva... from where the title of the painting is derived.
Acrylic on canvas 48" x 36"
Acquired

Series: Miscellaneous works

The Blessed
Inspired by the  faith that is demonstrated by believers in the one figure that they love beyond boundaries,hold in awe, listen to and follow in thought and deed. Such boundless faith heals those who seek blessings , mentally,spiritually and often physically resulting in the occurrence of miracles. Such was the power of great spiritual leaders through the ages a case in point being Jesus and the miracles on the shores of Galilee. his walking on water, calming the storm, the miraculous catch of fish, his feeding five thousand people, healing the lame, the blind, the bleeding.
Acrylic on canvas 48" X 36"

Acquired
Series: Miscellaneous works

Dashavatara I
As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order.

Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"

Acquired via Gallerie NVYA

Ganga I
Ganga Maiya or Mother Ganga is the holiest of holy rivers. She is believed to purify all that is immersed and absorb the sins of all humanity. The work depicts her pristine nature at the very source, her then flowing into being the giver, the selfless provider,the pure and the fertile, till she finally immerses herself into the ocean.

To the artist she is the epitome of the unconditional love and purity of a mother. The work was inspired after the artist experienced an intense sense of purification after taking a dip in the exhilarating and chilling waters of the Ganga at Rishikesh.

Acrylic on canvas (36 X 80 DIPTYCH)
Acquired via Gallerie Nvya

Ganga II

Ganga Maiya or Mother Ganga is the holiest of holy rivers. She is believed to purify all that is immersed and absorb the sins of all humanity. The work depicts her pristine nature at the very source, her then flowing into being the giver, the selfless provider,the pure and the fertile, till she finally immerses herself into the ocean.

To the artist she is the epitome of the unconditional love and purity of a mother. The work was inspired after the artist experienced an intense sense of purification after taking a dip in the exhilarating and chilling waters of the Ganga at Rishikesh.

Acrylic on canvas (36" X 80")
Available via Gallerie Nvya

Gurukul
The gurukula system of education has been in existence since ancient times. The Upanishads mention multiple gurukula's, including that of guru Drona at Gurgaon. The Bhrigu Valli (a discourse on the Brahman) is said to have taken place in Guru Varuni's Gurukula. The vedic school of thought prescribes the Upanayana (sacred rite of passage).
Acrylic on canvas 36 X 48
Acquired via Saatchi
Series: Miscellaneous works

Taurus
To the artist the bull symbolises passion, virility, strength and fulfillment. This is attempted on canvas through the sweeping strokes and bold colours . In  Astrology of course the  bull symbol is the-same as Taurus (and the word Taurus means bull in Latin). Taureans are Known for being reliable, practical, ambitious and sensual. 
Acrylic on canvas 36" X 48"
Status: Acquired
Series: Miscellaneous works

The Sacred Union
The work celebrates the philosophy that the whole universe is perceived as being created, and sustained by two fundamental forces, which are permanently in a perfect, indestructible union. These forces are Shiva and Shakti. 

The central focus of the work is on Parvati /Shakti the consort of Lord Shiva, depicted by the inverted triangle and the tree of life within.
The creative energy of the universe resides in this Mother Goddess and she also symbolizes fertility..She is the recreative energy and power of Shiva, and she is the cause of a bond that connects all beings and a means of their spiritual release. She has many attributes and aspects. Each of her aspects is expressed with a different name, giving her over 100 names

The names of Goddess Parvati reflect feminine attributes like beauty, grace and gentleness ,love and devotion as well as of divine strength and power. Parvati is also worshipped as the goddess of harvest and protector of women. As Shakti she is considered to be the cosmos itself – she is the embodiment of energy and dynamism, and the motivating force behind all action and existence in the material universe.

Shiva is her transcendent masculine aspect, providing the divine ground of all being. “There is no Shiva without Shakti, or Shakti without Shiva. The two in themselves are One”.

As the hymn dedicated to the Goddess Parvati by Shiva goes  “I am the sea and you the wave,. You are Prakṛti, and I Purusha.”
Mixed Media on canvas (60 X 18)
Unavailable / Series: Miscellaneous works

Dignity of Kings 
For centuries the horse and it's breed have represented the authority and the stature of the ones who ride it. It has been the essential facade to the very presence of the ruler. It stands for power, stamina strength and graceful victory. Indeed the horse has been the fascination of many artists and to this artist it represents the 'Dignity of Kings"
Acrylic on canvas 18" X 50"

Status: Available via Gallery Artistique
Series: Miscellaneous works

Trisul I

Inspired by a visit to the cantonment mountain town of Ranikhet and the outstanding view of Trisul, a group of three Himalayan mountain peaks of western Kumaun, with the highest (Trisul I) reaching 7120 m. The three peaks resemble a trident or  in Sanskrit, Trishula- being the weapon  used by Lord Shiva to protect himself and his devotees from evil.

Acrylic on canvas (36" x 36")

Acquired via Gallerie Nvya
Exhibition: Mystical / IGI International Airport, Gallerie Nvya / April 2018 - August 2018

Trisul II
Inspired by a visit to the cantonment mountain town of Ranikhet and the outstanding view of Trisul, a group of three Himalayan mountain peaks of western Kumaun, with the highest (Trisul I) reaching 7120 m. The three peaks resemble a trident or  in Sanskrit, Trishula- being the weapon  used by Lord Shiva to protect himself and his devotees from evil.

Acrylic on canvas (36" x 36")
Acquired via Gallerie Nvya
Exhibition: Mystical / IGI International Airport, Gallerie Nvya / April 2018 - August 2018

For a moment there I lost myself
Memories turn hazy as age forges ahead...but sometimes there's that certain smell or that song or even that inexplicable feel in the air that resurfaces a buried childhood memory. The work is the depiction and capture of one such moment when the artist recalled his childhood in a remote Himalayan cantonment.
Acrylic on canvas (48 X 36)
Acquired 
Series: Miscellaneous works 

Penance
Penance in Buddhism centres on austerity, asceticism, and spiritual and physical discipline and  as a path to the achievement of  an ideal balance between self-indulgence and self-mortification. The iron nails represent the practice of strict forms of discipline, denial, and mortification, while the Bodhi Tree represents the achievement of higher consciousness and spiritual awareness.
--
Mixed media on canvas 36" X 36"
Status: Acquired via Gallery Artistique
Series: Miscellaneous works

Lotus Sutra
The Lotus Sūtra is one of the most popular and influential Mahayana sutras, and the basis on which the Tiantai, Tendai, Cheontae, and Nichiren schools of Buddhism were established.

The Lotus has forever been ubiquitous in spiritual works. The artist has been fascinated by the holy flower and it's significance of purity even when growing in mud and slush . The work depicts the innocence of the budding lotus and spreading of purity that will overcome the murkiness of the marsh below.
Acrylic on canvas 36 X 36
Status: Available via Saatchi
Series: Miscellaneous works

Bhiksham Dehi III
The alms bowl refers to the time in the Buddha’s life just before he attained enlightenment, when a young girl, named Sujata offered the Buddha a bowl of milk rice. Although the Buddha was practicing austerity and eating only a little food at a time, he realized that to achieve the final stages of enlightenment, he would need to partake the offering of rice from Sujata. After partaking of the meal, the Buddha then threw away a small amount of food left in that bowl to symbolize non-attachment to material possessions. Another legend tells the story that the Buddha threw away the begging bowl itself into the river to symbolize this non-attachment.
Mixed media on canvas (48 X 36)
Acquired via Gallery Artistique

Bhiksham Dehi V
The alms bowl refers to the time in the Buddha’s life just before he attained enlightenment, when a young girl, named Sujata offered the Buddha a bowl of milk rice. Although the Buddha was practicing austerity and eating only a little food at a time, he realized that to achieve the final stages of enlightenment, he would need to partake the offering of rice from Sujata. After partaking of the meal, the Buddha then threw away a small amount of food left in that bowl to symbolize non-attachment to material possessions. Another legend tells the story that the Buddha threw away the begging bowl itself into the river to symbolize this non-attachment.

Mixed media on canvas (48 X 36)
Acquired via Gallery Artistique

Dhyana X ( Bodhi tree and the four boy monks) 

In this work the novice boy monks are revealed the concept of "Nirvana" as depicted by the tree in its purest form of monochromatic representation. The novice monks are in awe of this magnificent vision. They see the path that links them to their final goal through Dhyana, represented by the simple red dot. The sanctity and purity of this thought lies in the vast whiteness of the canvas. As one pauses to absorb the work, the artist endeavours to instil The retention of calmness in the midst of a  tumultuous environment that the viewer may find himself in. It is  through Dhyana, the practice of mind control by which we stop all thinking and seek to realize Truth in its essence. Of the many different paths to Nirvana, the most important one  is the path of Dhyana, the practice of “stopping and realizing.”
Mixed media on canvas 36"  X 60" 
Status: Acquired

Kochi I
The historical, quaint, town of Kochi is an immersion of the senses. Its legacy of a trading centre of spice, its exotic mix of Jewish, Arabic, Chinese, Indian, Portuguese & other European cultures, its heritage buildings, backwaters and open seas and the flavours of its cuisine simply excites the senses as no other. A short sojourn here has inspired the artist to create this series that attempts to capture the very essence of this fascinating township. The works express the sheer joie de vivre of Kochi.
Acrylic on canvas 46" X 40"
Status: Acquired

The Busker at the Corner I

The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.

Acrylic on canvas 48" X 36"

Acquired

The Busker at the Corner II

The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.

Acrylic on canvas 48" X 36"

Acquired via Gallerie Nvya

The Busker at the Corner III
The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.
Acrylic on canvas 48" X 36"
Status: Available via Artistique / The Oberoi Gurgaon

The Busker at the Corner IV

The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.

Acrylic on canvas 48" X 36"

Acquired 

The Busker at the Corner V

The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.

Acrylic on canvas
Status: Acquired

The Busker at the Corner VI

The artist has been intrigued by the buskers who perform on the streets in the cities that he has visited in Europe. A vast majority of them are excellent artists who seem to be pursuing their dreams with a passion that is unusual. Contrary to a popular belief a lot of them are not homeless or addicted to substance abuse. They do what they do because they follow their heart.

Acrylic on canvas 36" X 48"
Status: Acquired

Kendrit I

"Kendrit" means "Focused". It is often thought that the goal of meditation is to empty the mind. However It's not about "emptying" the mind; it's about focusing on a single focal point or object that could be physical or mental. When the mind wanders,harnessing it and refocusing is achieved through meditation.When total focus of the mind upon a single object is achieved, the mind is totally absorbed in the object to the exclusion of all  distractions. 

We all occasionally experience this state spontaneously when for instance listening to a favourite piece of music or being engrossed in the arts. This focus is the key to a change in experiencing life and relating to others around us. The practice of Kendrit has no age bar and hence this is depicted in the series where the monks are obviously across the age spectrum from the novice child monk to the experienced ageing monk.
Acrylic on canvas (48 x 24)

Acquired

Kendrit II

"Kendrit" means "Focused". It is often thought that the goal of meditation is to empty the mind. However It's not about "emptying" the mind; it's about focusing on a single focal point or object that could be physical or mental. When the mind wanders,harnessing it and refocusing is achieved through meditation.When total focus of the mind upon a single object is achieved, the mind is totally absorbed in the object to the exclusion of all  distractions. 

We all occasionally experience this state spontaneously when for instance listening to a favourite piece of music or being engrossed in the arts. This focus is the key to a change in experiencing life and relating to others around us. The practice of Kendrit has no age bar and hence this is depicted in the series where the monks are obviously across the age spectrum from the novice child monk to the experienced ageing monk.
Acrylic on canvas (48 x 24)

Acquired

Kendrit III
"Kendrit" means "Focused". It is often thought that the goal of meditation is to empty the mind. However It's not about "emptying" the mind; it's about focusing on a single focal point or object that could be physical or mental. When the mind wanders,harnessing it and refocusing is achieved through meditation.When total focus of the mind upon a single object is achieved, the mind is totally absorbed in the object to the exclusion of all  distractions. 

We all occasionally experience this state spontaneously when for instance listening to a favourite piece of music or being engrossed in the arts. This focus is the key to a change in experiencing life and relating to others around us. The practice of Kendrit has no age bar and hence this is depicted in the series where the monks are obviously across the age spectrum from the novice child monk to the experienced ageing monk.
Acrylic on canvas (48 x 24)

Acquired

On the Wings of Good Fortune II
The work  depicts the movement of the auspicious winds through  the cranes that have been a symbol of happiness and eternal youth throughout  Asia .The Japanese refer to the crane as “the bird of happiness;” the Chinese as “heavenly crane” believing they were symbols of wisdom. The powerful wings of the crane were believed to be able to convey souls up to paradise and to uplift mortals to higher levels of spiritual being. In Greek mythology the crane was usually considered to be a bird of Apollo, the sun god, who heralded in Spring and light.

Acrylic and pen on canvas 72" X 36" 
Acquired

The Awakening 
In Buddhism, the bud of the lotus symbolises potential. The lotus flower represents an awakening, spiritual growth, and enlightenment. Just as the lotus flower emerges from the water clean, the lotus also represents purity of body, speech, and mind. 
Acrylic on canvas (36 X 48)
Acquired 
Series: Miscellaneous works

The Courtyard of Serenity II
A courtyard is a fascinating architectural space. The artist connects this space to a spiritual experience. Located usually in the very centre of strong built-up living areas and opening up to the skies and the elements, a courtyard seems to be synonymous to the spirituality that lies within us... that spirituality which opens our minds and bodies to the greater scheme of life itself. 

Across cultures the courtyard is a space where people meet and bond. It is sacred to the concept of families, their beliefs and their love. In Hindu households the courtyard is the space where the sacred Tulsi plant is tended to and nurtured. Hence the parallel drawn to our internal sacred courtyard of love which we may adorn, nurture and help flourish. Our own courtyard of serenity.
Mixed media on canvas (48" X 36")
Acquired via TAD Arts

The Courtyard of Serenity I
A courtyard is a fascinating architectural space. The artist connects this space to a spiritual experience. Located usually in the very centre of strong built-up living areas and opening up to the skies and the elements, a courtyard seems to be synonymous to the spirituality that lies within us... that spirituality which opens our minds and bodies to the greater scheme of life itself. 

Across cultures the courtyard is a space where people meet and bond. It is sacred to the concept of families, their beliefs and their love. In Hindu households the courtyard is the space where the sacred Tulsi plant is tended to and nurtured. Hence the parallel drawn to our internal sacred courtyard of love which we may adorn, nurture and help flourish. Our own courtyard of serenity.

Mixed media on canvas (36" X 36")
Status: Acquired

A town named Nostalgia I I look back with a mix of emotions: sadness for the people who are gone, nostalgia for times that have passed, but immense gratitude for the wonderful opportunities that came my way. - Dick Van Patten
Acrylic on canvas 27 X 42
Acquired via Art for Concern

A town named Nostalgia II
I look back with a mix of emotions: sadness for the people who are gone, nostalgia for times that have passed, but immense gratitude for the wonderful opportunities that came my way. - Dick Van Patten
Acrylic on canvas 27 X 36
Acquired via Art for Concern

A town named Nostalgia III
I look back with a mix of emotions: sadness for the people who are gone, nostalgia for times that have passed, but immense gratitude for the wonderful opportunities that came my way. - Dick Van Patten

Acrylic on canvas 30 X 48

Status: Available 

Tabernacle of the Soul I 
During the Exodus, the tabernacle was a portable worship facility with the outer court, the holy place and the holiest of holies. The Apostle Paul referred to man as the temple of God - hence the outer court being the body or flesh; the holy place is like the soul; and the holiest of holies like the spirit. The Buddhists believe, as do the Hindus that the body is the tabernacle of the soul. Across faiths it is therefore, almost ritualistic to care for the  body as one would, a place of worship, a temple or tabernacle. The work attempts to illustrate and carry this message underlining the belief that within each of us lies a soul and resides our God. Hence each one of us is worthy of respect by the other.

Acrylic on canvas / 36" X 36"
Acquired

Tabernacle of the Soul II
During the Exodus, the tabernacle was a portable worship facility with the outer court, the holy place and the holiest of holies. The Apostle Paul referred to man as the temple of God - hence the outer court being the body or flesh; the holy place is like the soul; and the holiest of holies like the spirit. The Buddhists believe, as do the Hindus that the body is the tabernacle of the soul. Across faiths it is therefore, almost ritualistic to care for the  body as one would, a place of worship, a temple or tabernacle. The work attempts to illustrate and carry this message underlining the belief that within each of us lies a soul and resides our God. Hence each one of us is worthy of respect by the other.
Acrylic on canvas / 36" X 36"
Acquired via Art Houz, Chennai