Nandana - The Celestial Garden

The work is a result of the artist being Impressed by the mythology of the celestial Garden of the Hindu God Indra called Nandana . It is also the home to the Kalpavriksha, the wish-granting tree and the sweet-scented Parijata flower. The garden is said to be closely guarded by the young, beautiful and elegant apsaras or Celestial heavenly dancers. 

The work is an imaginative interpretation of this pleasure garden of unmatched beauty.

Acrylic on canvas | 36" X 36"
Status: Available
Series: Miscellaneous

 

Seeking Harmony 

Inspired by the auspicious elements of Buddhism the  artist has created this composition with a sense of synchronization of movement. 

The golden swirling clouds of abundance; the flight of the Black Necked Crane, a welcome winter visitor to the Land of the Thunder Dragon, and a symbol of longevity; the supple, curved figure of the majestic Tiger, a Buddhist symbol of strength; the lush foliage signifying fertility; and the lapping  waves of life giving water, all forming a dance of joy for those Seeking Harmony in the turbulence of Life.

Acrylic on canvas | 36" X 36"
Acquired 
Series: Miscellaneous works

 Ashtamangala

In India belief in auspicious objects has existed from ancient times and has been prevalent across Hinduism, Jainism and Buddhism.

Mangala means that which is pure and sacred and that which possesses the power to ward off all evil. In this work the artist attempts to capture the essence of The set of Eight auspicious symbols of good fortune, the 'ashtamangala', which in Buddhism represent the offerings made by the God's to the Buddha (Shakyamuni) on his gaining Enlightenment. The hand in 'gyana' mudra in the centre represents the Buddha Himself.

There are several interpretations of each symbol. Some of which are:

1.The Conch represents that all pervasive deep peaceful sound of Buddhadharma, signifying the awakening of the believers from Ignorance. Interestingly in Hinduism the Conch is attributed to Vishnu who's avatar it is also believed is Shakyamuni Buddha.

2.The eternal knot represents the never ending deep Wisdom and Compassion of The Buddha  

3.The pair of golden fish symbolize Happiness represented by the complete spontaneity, fearlessness and freedom of movement of the fish in the water. Some connect the pair with the sacred rivers, the Ganga and the Yamuna

4.The Lotus Flower (Padma) represents purity of the body, speech, and mind. Just as the Lotus floats above the muddy waters of desire and material greed

5.The jewelled parasol or Sacred Umbrella, represents Refuge from harm and suffering under the protection of Dharma  

6.The Treasure Vase represents health, longevity, wealth, prosperity, wisdom, 

7. The Wheel. Believed to be The wheel of life, The Bhavachakra, and a symbolic representation of the cycle of existence as Buddhists believe in the continuous cycle of birth, life, death. Some also believe it to be the Dharmachakra, with the round shape of the wheel, representing the perfection of the dharma, the Buddha's teaching

8.The Victory Banner or Dhvaja, usually known as a military standard, represents The Buddha's victory over Mara, the Lord of Illusion, or the four hindrances in his path to Enlightenment.

Acrylic on canvas / 36" X 48" 
Status: Acquired

 Ashtamangala II

In India belief in auspicious objects has existed from ancient times and has been prevalent across Hinduism, Jainism and Buddhism. 

Mangala means that which is pure and sacred and that which possesses the power to ward off all evil. In this work the artist attempts to capture the essence of The set of Eight auspicious symbols of good fortune, the 'ashtamangala', which in Buddhism represent the offerings made by the God's to the Buddha (Shakyamuni) on his gaining Enlightenment. The hand in 'gyana' mudra in the centre represents the Buddha Himself. 

There are several interpretations of each symbol. Some of which are:

1.The Conch represents that all pervasive deep peaceful sound of Buddhadharma, signifying the awakening of the believers from Ignorance. Interestingly in Hinduism the Conch is attributed to Vishnu who's avatar it is also believed is Shakyamuni Buddha.

2.The eternal knot represents the never ending deep Wisdom and Compassion of The Buddha  

3.The pair of golden fish symbolize Happiness represented by the complete spontaneity, fearlessness and freedom of movement of the fish in the water. Some connect the pair with the sacred rivers, the Ganga and the Yamuna

4.The Lotus Flower (Padma) represents purity of the body, speech, and mind. Just as the Lotus floats above the muddy waters of desire and material greed

5.The jewelled parasol or Sacred Umbrella, represents Refuge from harm and suffering under the protection of Dharma  

6.The Treasure Vase represents health, longevity, wealth, prosperity, wisdom, 

7. The Wheel. Believed to be The wheel of life, The Bhavachakra, and a symbolic representation of the cycle of existence as Buddhists believe in the continuous cycle of birth, life, death. Some also believe it to be the Dharmachakra, with the round shape of the wheel, representing the perfection of the dharma, the Buddha's teaching

8.The Victory Banner or Dhvaja, usually known as a military standard, represents The Buddha's victory over Mara, the Lord of Illusion, or the four hindrances in his path to Enlightenment.

Acrylic on canvas / 48" X 36" 
Status: Acquired

Bhiksham Dehi XI 
The alms bowl refers to the time in the Buddha’s life just before he attained enlightenment, when a young girl, named Sujata offered the Buddha a bowl of milk rice. Although the Buddha was practising austerity and eating only a little food at a time, he realised that to achieve the final stages of enlightenment, he would need to partake the offering of rice from Sujata. After partaking of the meal, the Buddha then threw away a small amount of food left in that bowl to symbolise non-attachment to material possessions. Another legend tells the story that the Buddha threw away the begging bowl itself into the river to symbolise this non-attachment.

48" X 30" / Acrylic on canvas
Acquired via Artistique Gallery

Memories Feel Like Home To Me I
Home is where love resides... memories are created friends are always welcome and laughter never ends. Wherever you are and whoever you are with, your home provides the greatest emotional bond.

Acrylic on canvas | 36" X 36"
Available via Gallerie Nvyā

Memories Feel Like Home To Me II
Home is where love resides... memories are created friends are always welcome and laughter never ends. Wherever you are and whoever you are with, your home provides the greatest emotional bond.

Acrylic on canvas | 36" X 48"
Acquired

Sentinels of the Sacred Gate
The bull, is of significance in many ancient cultures. In Buddhism The Bull represents "desire" during the life of the Buddha as a prince. Amongst the Jains The bull is the emblem of Adinath, the first Jain Tirthankara. In Greek mythology it is a symbol of male sexuality, illustrated by Zeus, in the form of a white bull, unrelentingly pursuing Europa.

Within Hinduism, the bull is best known as Nandi, the sacred steed of Shiva and is depicted as a powerful white bull. The white colour is a symbol of purity and devotion. Nandi is regarded as the gatekeeper and protector of Shiva as well as Shiva’s consort the Hindu Goddess Parvati and It is believed that one must first gain the approval of Nandi before being allowed to worship Lord Shiva. 

Acrylic on canvas
Status: Available via Gallerie Artistique, The Oberoi
Series: Miscellaneous works

 

A Time To Reflect II

Though tea in itself  as a beverage has proven health benefits, to the artist it is the ritual of  "sitting down to tea" which has great significance. The very act of drinking  tea on one's own has  meditative implications. With friends, it is the very joy of life and at the center of socializing. On a rainy, cold day the act evokes nostalgia of a childhood  in the hills, and in a negotiation, it is the bridge to a mutually  beneficial  arrangement. 

Numerous scholars state that it holds significance when examining the notion of purity. Murata Shuko, a priest in the 14th century propounded that four values were central to the concept of the tea ritual: reverence, respect, purity, and tranquility.

Acrylic on canvas 36 X 36

Status: Available

Kochi II

The historical, quaint, town of Kochi is an immersion of the senses. Its legacy of a trading centre of spice, its exotic mix of Jewish, Arabic, Chinese, Indian, Portuguese & other European cultures, its heritage buildings, backwaters and open seas and the flavours of its cuisine simply excites the senses as no other. A short sojourn here has inspired the artist to create this series that attempts to capture the very essence of this fascinating township. The works express the sheer joie de vivre of Kochi.

Acrylic on canvas 36" X 48"
Status: Available 

Kochi III
The historical, quaint, town of Kochi is an immersion of the senses. Its legacy of a trading centre of spice, its exotic mix of Jewish, Arabic, Chinese, Indian, Portuguese & other European cultures, its heritage buildings, backwaters and open seas and the flavours of its cuisine simply excites the senses as no other. A short sojourn here has inspired the artist to create this series that attempts to capture the very essence of this fascinating township. The works express the sheer joie de vivre of Kochi.

Acrylic on canvas 36" X 48"
Status: Available 

 Kochi IV

The historical, quaint, town of Kochi is an immersion of the senses. Its legacy of a trading centre of spice, its exotic mix of Jewish, Arabic, Chinese, Indian, Portuguese & other European cultures, its heritage buildings, backwaters and open seas and the flavours of its cuisine simply excites the senses as no other. A short sojourn here has inspired the artist to create this series that attempts to capture the very essence of this fascinating township. The works express the sheer joie de vivre of Kochi.

Acrylic on canvas 36" X 48" 
Status: Acquired

The Harmony of Seasons I
Having spent extensive periods of  contemplative time at different seasons in Warsaw's Łazienki Park. The artist is fascinated by the peace and beauty. The work captures the transition from summer to the onset of winter when the colorful birds set off to warmer climes. The bench signifies the peace of solitude inviting the viewer to pause and rest a while, taking time to observe the beauty that surrounds us.

Acrylic on canvas | 30" X 60" / Diptych
Acquired via Gallerie Nvyā

Dashavatara V

As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas | 25" X 45"
Status: Acquired 

Lachhman Rekha II

The work has been inspired by the well known incident in the epic Ramayana when the female protagonist, Sita is persuaded by the antagonist Ravana, to cross the line drawn by Lachhman, depicted by the arrow, thereby leading to the escalation of the epic to it's climax. The work also depicts the brave confrontation by the feeble Jatayu in an attempt to stop the kidnapping of Sita. The horse is representative of the infamous "apaharan". To the artist the crossing of the line by Sita is a point of inflection and has substantial social relevance even today.

Acrylic on canvas I 18" X 50"
Available  

Dashavatara IV

As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas | 36" X 60" 
Status: Acquired 

Lachhman Rekha I
The work has been inspired by the well known incident in the epic Ramayana when  the female protagonist, Sita, depicted here by the "tip of the plough", is  persuaded by the antagonist Ravana, to cross the line drawn by Lakshmana, depicted by the arrow, thereby leading to the escalation of the epic to it's climax. The work also depicts the brave confrontation by the feeble Jatayu in an attempt to stop the kidnapping of Sita. The horse is representative of the infamous "Apaharan". To the artist the crossing of the line by Sita is a point of inflection and has substantial social relevance even today.

Acrylic on canvas | 18" X 50"
Status: Available

Memories of a childhood VIII
“In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew.”  ― JW Johnson, The Autobiography of an Ex-Colored Man

Acrylic on canvas 36" X 48"
Acquired via Gallerie Nvyā

Weathering the Storm

What world lies beyond that stormy sea I do not know, but every ocean has a distant shore, and I shall reach it. - Cesare Pavese

__ 

Acrylic on canvas (48" X 20")
Status: Available via Gallerie Artistique, The Oberoi, Gurgaon 
Series: Miscellaneous works

The Harmony of Season's II
The work was inspired one lazy  afternoon in the  spring of Northern India. The flowering Mango tree outside the window was magical and captivating bringing the promise of the fruit, a food of the Gods . In such testing times, the Artist considers this work as  a talisman for  good news coming, a sign that things will go well in  life, and that one remain satisfied and happy. It also signifies the yearning for the joy of sheer freedom as depicted by the parrot in flight into the cool Indian summer night. Almost  mystical the tree is considered to be the symbol of love, wealth, fertility and even immortality. So great is the belief of the tree being auspicious that the leaves of Mango trees are used in Hindu wedding ceremonies in order to ensure a fertile union. The fruit of the tree appearing in a dream is believed, by some, to signify the arrival of  long awaited good news.

Acrylic on canvas (36" X 36")
Status: Acquired

Dhyana XI

In the work, the artist depicts the swirling random movement of the mind and uncontrolled circumstances that surround us, every moment, often dictating our actions. Thus we react to all that we are surrounded by and enveloped in. The monk is also therefore in a similar situation but appears to emerge out of it, retaining his serenity which is reflected by his posture. This retention of calmness in a tumultuous environment is achieved through Dhyana, the practice of mind control by which we stop all thinking and seek to realize Truth in its essence. Of the many different paths to Nirvana, the most important one  is the path of Dhyana, the practice of “stopping and realizing.”

Acrylic on canvas 48" X 48"
Status: Acquired

Memories of a childhood V
“In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew.” 
― JW Johnson, The Autobiography of an Ex-Colored Man

Acrylic on canvas 60" X 18"
Status: Available 

Memories of a childhood VI
“In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew.” ― JW Johnson, The Autobiography of an Ex-Colored Man

Acrylic on canvas 60" X 18"
Status: Available

Kashi X

Varanasi derives its name from the two rivers that flank the city, the Varuna to the north and the Asi to the south. However, pilgrims refer to it as Kashi, first used three thousand years ago to describe the kingdom and the city outside which the Buddha preached his first sermon; the "City of Light" is also called Kashika, "the shining one", referring to the light of Shiva. Another epithet, Avimukta, meaning "Never Forsaken", refers to the city that Shiva never deserted. Also referred to as Rudravasa, the place where Shiva (Rudra) resides, Kashi's associations with Shiva extend to the beginning of time: legends relate how, after his marriage to Parvati, Shiva left his Himalyan abode and came to reside in Kashi with all the Gods in attendance. Temporarily banished during the rule of the great king Divodasa, Shiva ultimately returned to his rightful abode protected by his loyal attendants Kalabhairav and Dandapani. Over 350 gods and goddesses, including a protective ring of Ganeshaa form a mandala or sacred pattern with Shiva Vishwanatha at its centre.

Acrylic on canvas (36" X 48")

Status: Available

The Walled City II

Walled cities are fascinating. around the world the fortifications are formidable and within lie the wonders of art and commerce, of administration and justice. The walls protect all the beauty that is within from marauders ,and hence need to be strong. much like ourselves who must develop strong walls of self control, physical and spiritual strength to safe guard all that is sacred within us from disruptive influences of negativity, intolerance, anger and greed.  

To quote from the Bible: A man without self-control is like a city broken into and left without walls. (Prov. 25:28) This biblical metaphor, if read and understood speaks about ourselves and our Creator. Our Spirit Is the City Wall and a broken spirit, like a broken city wall, is dangerous.

Acrylic on canvas 60" X 18" 
Status: Available

The Walled City I

Walled cities are fascinating. around the world the fortifications are formidable and within lie the wonders of art and commerce, of administration and justice .

The walls protect all the beauty that is within from marauders ,and hence need to be strong. much like ourselves who must develop strong walls of self control, physical and spiritual strength to safe guard all that is sacred within us from disruptive influences of negativity,intolerance,anger and greed. 

To quote from the Bible: A man without self-control is like a city broken into and left without walls. (Prov. 25:28) This biblical metaphor, if read and understood speaks about ourselves and our Creator. Our Spirit Is the City Wall and a broken spirit, like a broken city wall, is dangerous.

Acrylic on canvas 50" X 18"

Status: Unavailable

Prathamaja - The First Born II
First- borns hold a very special position even though the parents love all their children equally.

It's the wonder of the first-born where the mother for the first time in her life watches her body change, it is the first heart that she creates and the first heart beat that she hears

She learns so much from her first born through whom she embarks on a journey of discovery. She uncovers her strengths and also weaknesses, She develops a confidence to be a caretaker, to be a mother. The bond with her first born can never be challenged or displaced.

For the Father life changes. For the first time there is a realisation of responsibilities. There is excitement and a love never experienced before as he cradles the new born,hears the first sounds,  as he watches his first born grow up,  and assumes the role of friend ,philosopher and guide.

Acrylic on canvas 48 X 36

Status: Acquired via Gallerie Artistique, The Oberoi

Series: Miscellaneous works

 

Prathamaja - The First Born

First- borns hold a very special position even though the parents love all their children equally.

It's the wonder of the first-born where the mother for the first time in her life watches her body change, it is the first heart that she creates and the first heart beat that she hears

She learns so much from her first born through whom she embarks on a journey of discovery. She uncovers her strengths and also weaknesses, She develops a confidence to be a caretaker, to be a mother. The bond with her first born can never be challenged or displaced.

For the Father life changes. For the first time there is a realisation of responsibilities. There is excitement and a love never experienced before as he cradles the new born,hears the first sounds,  as he watches his first born grow up,  and assumes the role of friend ,philosopher and guide.

Acrylic on canvas 48 X 36

Status: Acquired

Series: Miscellaneous works

The Lotus Buddha V
The painting depicts the meditation Buddha or the Lotus Buddha as Buddha in this position resembles a lotus flower. The lotus besides being a symbol of purity was also the symbolic vehicle that led the Buddha to Nirvana. The Lotus Buddha has the hands resting gently on the lap while the legs are crossed. This position is commonly used for meditation and is known as the lotus position. The lotus flower is rich with symbolic meaning in Buddhism. It is a symbol of Bodhi, a state of spiritual perfection and complete mental purity, the pacification of our base nature. 

Acrylic on canvas 50"X 18"
Status: Available via Gallerie Artistique, The Oberoi

A Time To Reflect

Though tea in itself  as a beverage has proven health benefits, to the artist it is the ritual of  "sitting down to tea" which has great significance. The very act of drinking  tea on one's own has  meditative implications. With friends, it is the very joy of life and at the center of socializing. On a rainy, cold day the act evokes nostalgia of a childhood  in the hills, and in a negotiation, it is the bridge to a mutually  beneficial  arrangement. 

Numerous scholars state that it holds significance when examining the notion of purity. Murata Shuko, a priest in the 14th century propounded that four values were central to the concept of the tea ritual: reverence, respect, purity, and tranquility.

Acrylic on canvas 36 X 36
Status: Available

 

 

Benevolence - Goddess Taradevi

A work inspired by the words "This is the promise of love; there shall be seasons refreshing, sent from the Saviour above, over the hills and the valleys, sound of abundance of rain", from the hymn ‘There shall be a shower of blessings’, and Tara Devi, the Buddhist 'saviour-goddess' especially popular in Tibet, Japan, Nepal and Mongolia.

The artist has attempted to translate the hymn on canvas. The saviour, goddess of universal compassion, stands central as she summons the clouds above to shower blessings of longevity, so we may be protected in our spiritual journey to enlightenment. The lotus symbolises the belief that - when the bodhisattva Avalokiteshvara wept as he looked upon the world of suffering beings, his tears formed a lake in which a lotus blossomed, and within it, the goddess Tara was revealed.

Acrylic and pen on canvas 36" X 48" 
Status: Available / DDN
Series: Miscellaneous works

Rudrani IV
Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 
In the work the artist has left one hand free of any weapons thus
emphasising that Rudrani can also clearly battle on her own strength without several weapons and help being provided by the Gods. The work hence speaks of woman empowerment.

Acrylic on canvas 48" x 36"
Status: Acquired

Trisul V

Inspired by a visit to the Himalayas and the outstanding view of Trisul, a group of three Himalayan mountain peaks of western Kumaun, with the highest (Trisul I) reaching 7120 m. The three peaks resemble a trident or in Sanskrit, Trishula- being the weapon used by Lord Shiva to protect himself and his devotees from evil. Hence Trisul.

Acrylic on canvas (48" x 36") 
Status: Available 

 

Radheya 

Warrior of the Mahabharata epic, Karna is a fascinating character. He is depicted as a tragic hero; gifted, righteous and brave, whose warrior skills won the admiration of Bhishma and Krishna. 

To the artist, Radheya (the son of Radha the adopted mother) or Karna is the ultimate hero. Born to glory, the son of Surya and eldest brother of the Pandavas, noble warrior, outstanding speaker, unbeatable archer, loyal friend and the ultimate giver, acclaimed by the divine Krishna as "a true, honest, good man" and "the best among those who understand and uphold the dharma" he fought against all odds after being abandoned by his biological mother Kunti. There is no greater sacrifice than his.

Born with aspects of his divine father Surya – the earrings and armor breastplate – that made him an immortal at birth , and inspite of being warned, Karna chooses to lose these divine gifts and effectively his life in order to uphold his reputation as the one who always gives dāna 

The work captures that moment when the God Indra, father of Arjuna (portrayed as the lightening bolt or Vajra, the Ankush and his 'vaahan' the multi trunked white elephant ) disguises himself as a poor brahmin (symbolised by the alms bowl),  asks for Karna's  earrings and breast plate in order to protect his own son in battle.

Karna's posture in the work depicts his questioning destiny even as he hands over his divine gifts and life thus choosing to uphold his life choices and values. The bull denotes Karna's prowess as a warrior, while the bow is laid down in submission to his fate and values. Interestingly this bow, named Vijaya was created by Vishwakarma for Lord Shiva, handed for safekeeping to Indra, then given to Parshuram to conquer wrong doers and further gifted by him to his worthy student Karna.

Acrylic on canvas (48" X 36" )
Status: Available

Dashavatara III
As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.
Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"
Status: Acquired 

The Courtyard of Serenity III
A courtyard is a fascinating architectural space. The artist connects this space to a spiritual experience. Located usually in the very centre of strong built-up living areas and opening up to the skies and the elements, a courtyard seems to be synonymous to the spirituality that lies within us... that spirituality which opens our minds and bodies to the greater scheme of life itself. 

Across cultures the courtyard is a space where people meet and bond. It is sacred to the concept of families, their beliefs and their love. In Hindu households the courtyard is the space where the sacred 'Tulsi' plant is tended to and nurtured. Hence the parallel drawn to our internal sacred courtyard of love which we may adorn, nurture and help flourish. Our own courtyard of serenity. In this work a horse is seen entering this sacred space. In Buddhism the horse is symbolic of energy and effort in the practice of dharma. It also symbolises the air or 'prana' which runs through the channels of the body and is the vehicle of the mind.

Mixed media on canvas (36" X 48" )
Status: Acquired 

The Evangelist
The work is inspired by the Artist's fascination for St Luke, the evangelist and the patron saint of artists, among others. Christian tradition, states that Luke was the first icon painter and is said to have painted pictures of the Virgin Mary and Child. He is believed to have been a martyr and  is symbolized by a winged ox or bull – a figure of sacrifice, service and strength.

Acrylic on canvas (42" X 50")
Status: Available

Dashavatara II

As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order. Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"
Status: Unavailable

The Wedding Feast
The work is inspired by the story of the wedding at Cana.... Where Jesus performed his first miracle. The split table signifies the transition of Jesus after this first miracle. There are six jars of water which he converted to wine after being requested to save the host from the embarrassment of running short of it during the feast. Artistic license has been taken to keep the table relatively minimalist as the focus is on the turning of water to wine.
The artist  selected this theme as to him this miracle , though it may not seem as dramatic as making the blind see , the lame walk etc is a universal lesson that one doesn't necessarily need to do anything major to make a difference as even a comparatively simple gesture like saving the host from embarrassment is as important.

Acrylic on canvas 36 X 48

Status: Acquired

Series: Miscellaneous works

Dhyana VI, Asthachal - the evening meditation 
As the sun sets and the mountain air turns cold, it is time to find peace within one's self simply by focusing on the silence that envelopes and the smells of pine and incense. The artist has attempted to capture this memory on his canvas in the hope of sharing the tranquillity with all who may enjoy the work. 

The retention of calmness in a tumultuous environment is achieved through Dhyana, the practice of mind control by which we stop all thinking and seek to realise Truth in its essence. Of the many different paths to Nirvana, the most important one  is the path of Dhyana, the practice of “stopping and realising.”

36" X 36" / Acrylic on canvas
Acquired via Artistique Gallery 

One with the blue horse 

Inspired by a recent visit to the Golden Temple and the sincerity of worship, humility and service demonstrated by the believers of Sikhism, the artist created  the work "One with the Blue horse"  based on the The Tenth Guru,an accomplished horseman. Guru Gobind Singh Sahib was famous for his blue coloured horse, affectionately called "Neela" (meaning "blue"), and is referred to as "Neelay ghoray whalla" or "the rider of the blue horse" in the folk songs of  Punjab. The five horses in the work represent Punjab.

As per  folklore, on being asked by the Guru for a place of rest during his journey, the man working at a brick kiln mockingly  challenged his power asking him to rest in the blazing furnace. Guru Sahib ushered Neela forward, who  put one of his hooves on the side of the kiln and the brick kiln which would normally take a week or so to cool down, instantly turned cool, enabling the Guru to spend the night in the furnace.The gurdwara that now stands there has been built around the now solidified mud which still has the impressions of Neela’s hooves. Even today the lineage of Neela continues at the Gurudwara of  Hazoor Sahib, Nanded.

Acrylic on canvas / 36 X 36
Available via Artistique Gallery
Series: Miscellaneous works

Memories of a childhood VII
“In the life of everyone there is a limited number of experiences which are not written upon the memory, but stamped there with a die; and in the long years after, they can be called up in detail, and every emotion that was stirred by them can be lived through anew.” 
― JW Johnson, The Autobiography of an Ex-Colored Man

Acrylic on canvas 36" X 36"
Acquired via Gallerie Nvya

Divine Resonance - The Sacred Wheel II
Buddhists from the Himalayas state that they experience a deep sense of harmony in their homes and environment when the prayer wheel is placed in their abode. A number of Tibetan commentaries state that having a prayer wheel in a building makes that place become like the Potala - the pure land of the Buddha. Without doubt the prayer wheel’s beauty and energy exudes a very clear and positive effect. In this work the artist has attempted to capture this sense of harmony and surrounded the prayer wheel. Visually,the work is syncretic in its essence and a fusion of the contemporary with the traditionally spiritual.
Size: 36" X 24" / Acrylic on canvas
Status: Available via Gallerie Nvya

Rudrani III

Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 

The artist wishes to emphasise that Rudrani can also clearly battle on her own strength without several weapons and help being provided.by the Gods. The work hence speaks of woman empowerment.

Acrylic on canvas 48" x 36"
Status: available

Rudrani II
Rudrani is Shakti and the consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. Rudrani is considered to be the confluence of the power of all goddesses. On an appeal from the Gods and armed by them she battled and vanquished the evil forces represented by Mahishasur the demon who appeared in several forms ( including that of a buffalo). Interestingly it may be observed that "Durga" in sanskrit means a fort and the significance of this title to the Mother Goddess indicates that she protects her devotees just as a fort protects a kingdom.

This work is inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. 
Rudrani's posture in the work is aggressive even as the hand is uncharacteristically weapon less. The artist wishes to emphasise that Rudrani can also clearly battle on her own strength without several weapons and help being provided.by the Gods .

The work hence speaks of woman empowerment.
Acrylic on canvas 48" x 36"

Rudrani I
Rudrani is the shakti and consort of Rudra (Shiva). She later came to be identified as a manifestation of Durga. - inspired by 1) Dassain / Durga Pooja and 2) the #metoo movement. Symbolises woman empowerment. The two hand mudras introduced are unique and different to the usual Durga portrayal. The right hand is in 'gyan mudra' hence the power of knowledge and the left hand is in 'rudra mudra' hence the reference to Rudra or Shiva... from where the title of the painting is derived.
Acrylic on canvas 48" x 36"
Acquired

Series: Miscellaneous works

The Blessed
Inspired by the  faith that is demonstrated by believers in the one figure that they love beyond boundaries,hold in awe, listen to and follow in thought and deed. Such boundless faith heals those who seek blessings , mentally,spiritually and often physically resulting in the occurrence of miracles. Such was the power of great spiritual leaders through the ages a case in point being Jesus and the miracles on the shores of Galilee. his walking on water, calming the storm, the miraculous catch of fish, his feeding five thousand people, healing the lame, the blind, the bleeding.
Acrylic on canvas 48" X 36"

Acquired
Series: Miscellaneous works

Dashavatara I
As per Hindu Mythology, whenever the world has been threatened with disorder, evil and destructive forces, The Preserver among the Holy Trinity, Lord Vishnu has taken on various incarnations or avatars to restore cosmic order.

Dashavatara refers to the ten primary incarnations of Vishnu that descended during times of chaos in each of the four Yugas or age in time. As per Puranic astronomical estimates together, these four yugas constitute one Mahayuga and equal 4.32 million human years. Interestingly the incarnations vary across regions and different sects of Hinduism and hence no list is bereft of controversy but importantly all believe in the essence of Dashavtara.

Fascinated by this concept the artist was moved to represent the mythology on canvas. 

Acrylic on canvas / 36" X 48"

Acquired via Gallerie NVYA

Ganga I
Ganga Maiya or Mother Ganga is the holiest of holy rivers. She is believed to purify all that is immersed and absorb the sins of all humanity. The work depicts her pristine nature at the very source, her then flowing into being the giver, the selfless provider,the pure and the fertile, till she finally immerses herself into the ocean.

To the artist she is the epitome of the unconditional love and purity of a mother. The work was inspired after the artist experienced an intense sense of purification after taking a dip in the exhilarating and chilling waters of the Ganga at Rishikesh.

Acrylic on canvas (36 X 80 DIPTYCH)
Acquired via Gallerie Nvya